Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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unknow artist
Arab or Arabic people and life. Orientalism oil paintings 140

ID: 47397

unknow artist Arab or Arabic people and life. Orientalism oil paintings 140
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unknow artist Arab or Arabic people and life. Orientalism oil paintings 140


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unknow artist

  Related Paintings of unknow artist :. | FAMILY SAYING GRACE ANTHONIUS CLAEISSINS C 1585 detail | Heuernte vor der Ile de la Cite mit der Sainte Chapell | Arab or Arabic people and life. Orientalism oil paintings 331 | Angel to the shepherds good news | Flowers in a Figured Vase |
Related Artists:
Sir William Orpen
Irish 1878-1931 Sir William Orpen Location Irish painter. He attended the Metropolitan School of Art, Dublin (1891-7), and the Slade School of Art, London (1897-9), there winning the composition prize of 1899 with The Play Scene from Hamlet (Houghton Hall, Norfolk). He became a friend of Augustus John and joined the New English Art Club. From very early years he had been an impassioned student of the Old Masters, and he went to Paris with John in 1899 to see Leonardo da Vinci Mona Lisa (Paris, Louvre). In the following years his perception of their works
Bernardino Mei
(1612/15 - 1676) worked in a Baroque manner in his native Siena and in Rome, finding patronage above all in the Chigi family. Briefly a pupil of the Sienese draughtsman and cartographer Giuliano Periccioli, where he learned the art of engraving, Bernardino passed to the studio of the painter Rutilio Manetti and probably also served in the workshop of Francesco Rustici. He painted in and around Siena, where his work came to the attention of Cardinal Fabio Chigi, who, once elected pope as Alexander VII (1655), called Bernardino Mei to Rome in 1657. There Bernardino came under the influences of Mattia Preti, Andrea Sacchi and Pier Francesco Mola, and of Guercino, to the extent that until the 20th century Bernardino's fresco of Aurora in Palazzo Bianchi Bandinelli was attributed to Guercino himself. Through the fast friendship that bonded him to Gian Lorenzo Bernini, whose studio he frequented, he applied that sculptor's sense of theatrical action to his own mythological and allegorical subjects. He died in Rome in 1676.
Frederick james shields
1833-1911






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